Maybe The Stones Are Right

Not about ‘Satisfaction’. Though maybe for some. About getting what you want versus what you need. “You can’t always get what you want but if you try sometime you find you get what you need.”

I had a different topic in mind for this week’s post. But a conversation with a friend got me to thinking a little about how this week’s jam went for me. Don’t worry this is not going to be another train wreck story. Things went really well, that’s not it. I had a great time and got to play three sets, and like anyone, the more I get to play the happier I am.

Somethings went better than I feared they would and somethings just went different. And going different is sometimes the thing you need.

It’s easy to get stuck in a rut in anything. Including music and song choices for sets. You get a few songs down, what seems like enough of a rotation, and get really comfortable with them so that you expect or hope to play them every time. And then out of that bunch of songs, you end up with a smaller set of songs that you really like to play and you want to stick with that selection even more because you love to play them. That means you practice them more. That means you are more familiar and more comfortable with them. And you neglect some of those other songs a little because, they need work, or they make you work. That can work out ok, for a little while. Then what happens, when all those favorites, or most of them, have already been played? You can duplicate. Or you can adapt and go back to some of those neglected songs.

It’s a little like Bryan choosing from my not ready for prime time list. It requires a bit of stretching and reaching. And like any good stretching routine, it’s not so bad the more you do it. So the fact that Bryan had me outside my normal little box last time, made it a little easier to do that again this time. In addition to adding a new song. With a new technique.

New songs make me nervous. I’ve finally gotten fairly comfortable being on stage and singing and playing. Except. When it’s the first time I’m playing a new song. Then I shake like I don’t know what. Usually, once I get part way into the song I relax some and I’m ok. Still, getting through those first few bars, can be a little daunting. This week’s new song was ‘Voodoo Woman’. I’ve watched the video. It went pretty good. I needed to communicate the key and the structure of the song a little better. And I still need to turn up a little more on my leads. That aside. I think I made fairly effective use of the ‘Wah Pedal’. I used it for the intro and then again on my lead and I think it worked out pretty good. I need more practice with it to really make it what it can be. Even so, I think I did pretty good. I was and am, very pleased with how that turned out.

After that, for that set, I stuck with some songs that I really like and have become much more comfortable with. Which is my normal pattern. The second set got a little change up as I shared the vocal duties. I only sang on one song and then just played on the two others. I like doing that sometimes. It keeps me in practice following instead of leading all the time. So that was good. By the time I got to the third set, a lot of the songs I normally would fall back on, had been played by others already. This is where the adapting and revisiting neglected songs came in.

If anyone was paying attention, we went alphabetically and stayed in the B’s for song titles. That was fun. We did a couple of Jimmy Reed songs that I haven’t played in a while. Well not out, and not much at home. I try not to let them rust because of their rhythm and style so they weren’t completely stale. They just weren’t what I might have otherwise played. Not bad, just different.

Not being able to fall back to those ‘go to’s’ was maybe not what I wanted, and probably what I needed. That and Frank’s list. By going back to those songs, I’ve started to think about, spending a little more time on them and seeing what I can do to make them better. And doing the same with a few others. It also reminded me of the need to continue to expand my repertoire a little more aggressively. Though Frank’s list just makes that easier. I hope.

Frank’s list. I’m calling it that because he was the one handing it out. As I understand it, he put it together as a sort of cheat sheet of songs for when we’re on stage and can’t think of what to do next. It’s a great list. And a few of the songs I’ve found or brought to the jam ended up on it. Which is cool. Frank mentioned that he likes it when people bring something new or different. So I’ll be looking for that while I learn, or brush up, on the songs on his list.

We’ve got another jam this month and I’ve got video to get edited as well as songs to practice and learn. It was a three set night again so there’s a bit of work to do on the editing. I’ll try to be more timely with this batch. We had some interesting patrons and a few of them show up in the video so that should be interesting. The pictures are captures from the video of this last jam. Enjoy.

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A Bit of a Breather

Now that football season has started one of our Blues Jam venues is unavailable so we’ve had a little extra break in between Jams this month. I think maybe it’s been a good thing. For me at least, as much as I hate to admit it.

There have been a few things going on in my world and taking the time to concentrate a little on them has been helpful. I’ve still been practicing and playing. I’ve just taken a more relaxed approach. Partly because, at the end of some of my days, I’ve really only had an hour’s worth of energy left in me. And partly because I did something not in my best interest and have needed to take things a little slower for a bit.

Ok I may have done two somethings not in my best interest. I’m not sure. I know only one impacts my guitar playing though.

What I did that impacts my guitar playing is; I played for too long and then played even more. I was really excited, really enjoying playing and just kept playing. I started out playing my new Telecaster which has a much different neck shape than I’m accustomed to and that is what got me in trouble. I needed to work up to longer playing times with it and I didn’t. Of course, when I realized I was in need of resting, I was still having a good time playing so I just switched guitars. No. This did not help the cramping. But I kept playing. I have learned my lesson. For the moment. I’m pretty sure I learned this lesson before.

The result of this particular not in my best interest activity is that I was forced to limit my practice time for rhythm, and particularly chord work. It meant I spent a little more time practicing some lead type of stuff because that didn’t strain the muscle and whatever else I managed to irritate. It also started me thinking about different ways I might be able to carry the rhythm for a piece, besides chunking at bar chords.

While I was trying to keep playing and not make things worse I took the time to learn a surf guitar song. I now have all the notes for ‘Apache’ down. I’m still working on getting all the timing right and getting it to sound really good. It’s coming along. I’m pleased. Very pleased. And now I am looking for another surf guitar song to learn. I may go back and learn or relearn the bridge to ‘Wipe Out’. I get all the rest of that song ok. The bridge is a little awkward for me.

The other not in my best interest something might have been flying side kick practice with the kids in between my regular Taekwondo class and my extra class to prepare me for my next test. I tried to jump over too many targets and I might have landed wrong. At least I think that might be what I did. I’m not really sure. It might have also been that I rolled that foot inward really bad on my way from the garage to my door while weighed down carrying two guitars, in their cases. I didn’t think too much of it at the time, other than it might hurt the next day. But it didn’t. So I’ve done something to a foot or ankle. Nothing is swollen and when I get to moving, it doesn’t hurt. So. Yes, not in my best interest. I’m just not sure what I did.

As you can see, it’s been a good month to have that extra time to prepare for the next jam. I have finally got the videos from the last jam edited and I’ve started posting them. I should have the rest up in the next couple of days. I’m counting down until my next vacation time from the day job. It’s just a few weeks away and fortunately there is another Blues Jam in between now and then to get me through. I can’t wait. For the jam and the vacation. The hand is feeling better and back to not fussing at me if I play for longer than 15 or 20 minutes so I’ll be back to more practicing and working on new stuff this week. I’ve got a new one I was working on when I over did it and I’ve got a couple of others that I need to get worked out. And of course there is still that homework. Not to mention finding more new songs to learn.

I don’t really have any new pictures to share this week. I’ve been head down working on other stuff so I’m re-sharing pictures of my current obsessions.

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Cry Baby

A Cry Baby and other goodies and conclusions are on deck this week.

I’ll start with the Cry Baby. Kevin suggested I learn the song ‘Voodoo Woman’. Ok. I found Koko Taylor’s version, which, might be the original, I’m not for sure. It’s great. Except. It sounds like the horns are carrying the rhythm. I mentioned this to Kevin and he said to try the Susan Tedeschi version and that it has this wacka-wacka guitar sound on it. Turns out, I have a CD with the very version on it. Sure enough there is the distinct sound of a wah pedal on that song. Cool. That sounds like fun to play with.

As it turns out, my guitar playing, work colleague has a wah pedal. Actually it’s a Dunlop Cry Baby. And he very graciously lent it to me to play with, oh sorry, try out and experiment with. Oh holy cow! That’s so much fun! After figuring out how to get it
engaged and at which points you get that wah effect, it turned out to be a really cool tool. All, excited kid in a candy store stuff aside. I can see where with some patience and practice that it could really be mastered to do some outstanding stuff and create amazing effects. Though, it is the kid in the candy store that now wants one.

Effects pedals are dangerous things. Not because you can trip over them. They are dangerous because there are so many cool effects out there that you can get lost in them and what they can do and how they can enhance your sound without really thinking about how to get a good sound to begin with and then build on it. Yes. I want a Cry Baby or similar Wah pedal. Once I tried it, I could immediately hear possibilities of what I could do with it. I had the same response to the demo video for the Ocean’s 11 reverb pedal from Electro-Harmonix. I want one of those as well. And while at one point I would have just expected them to ‘make me sound better’.  Today I look at them and think of what cool stuff could be done after I spent a lot of time really learning what they can do and how I want to use them. And what effects, though really cool sounding, should only be used sparingly.

You might remember I did some experimenting with strings this summer. It started with the suggestion to try some really light gauge strings. And sort of snowballed from there. I think my Les Paul has had six sets of strings, or more, on it this year. What I found was really interesting. I found that strings can effect the character of the guitar and significantly change the way it sounds and plays. I also found that some strings really bring out the character of a guitar. I also finally understood the complaint so many around me had about the really light strings. Yes they are easier to finger. They are also slippery and they bend really easily. If that’s your need then they are perfect. But, even though they made fingering bar chords easier, my fingers also slid around a lot and I didn’t always get a clean sound.

I also discovered something else about string gauges that I did not think about. I was researching what came on my new Telecaster as far as strings from the factory and found that they came with 10’s. And then I found an article on the Fender site about strings and the different types and gauges. Which is how I found that the gauge can make a difference in how loud the guitar is. It has to do with the metal being picked up by the magnets in the pickups. Hello, Gretsch problem. I’ve had trouble getting my Gretsch loud enough for it to be heard. About the time I started having this trouble I had changed the strings on it to a lighter gauge. Since I had tried adjusting the height of the pickups and found I didn’t like the overall tonal change that that gave me I figured I should just go back to the 10’s like it originally had. I changed the strings and lowered the pickups and sure enough, I got some of the volume back. It’s still not as loud as the Les Paul but as I understand it Les Paul pickups are notoriously hot.

Since getting the new Telecaster and the Stratocaster I’ve started to understand a lot more about the differences between humbucker pickups and single coil. This wasn’t anything I’d paid attention to before. It turns out, with one exception, most the guitars I have had have all had humbucker pickups. When I purchased the Stratocaster I made a point to make sure I was getting what is considered the standard. The three single coils with the five way switch. If I was going to get a Strat I wanted that full Strat sound and experience. I have not been disappointed. I had never really paid attention to the fact that the Telecaster I had was single coil pickups until I was looking for my new one and they tried to show me one with humbuckers. At that point I started to really grasp the difference in what the single coil offers for sound and what the humbucker offers for sound. They are very different. And I’m pretty sure surf guitar is only meant for single coil pickups. It sure sounds cooler to play now.

I’m still working on a new song or two. I have  a couple I think I want to try to figure out and I’ve still got that homework. There’s quite a bit to be learned from Albert Collins’ playing style as well as Jimmy Vaughn’s. All good stuff, just new territory for me.

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It’s The In Between

You know, that time in between projects. Or in this case, in between jams. It’s that time you use to repair, recuperate, and get back out to the shed and get to practicing and learning new stuff.

That’s me right now. Practicing and learning new stuff. I’m not just trying to learn a new song. I’m also trying to learn my way around the two new guitars. I know, it’s a guitar. What’s to learn my way around about. Trust me. There’s lots of learning my way around.

The Telecaster, you would think that since I have one, I wouldn’t need to learn much about it. Not so. There are some differences. The brass barrel bridge, for one. You get just a bit of a different sound and it takes a little experimenting to figure out how to get that just like you want. The other thing is that it’s got the ashtray bridge with the cover. Yeah. Cool. I learned something really interesting. Bryan joked with me about me being the only person he knows that plays with that cover on. So I wondered if there was a difference. It turns out it does make a difference. That cover seems to dampen the pickup a little. I took it off.

The Stratocaster is a whole new ball game for me. With three pickups and a five way switch I’ve got more knobs and switches than I know what to do with. Ok. Maybe not. My Gretsch has a switch and five knobs but the switch is just a three way. All that is beside the point. Which is, the three single coil pickups and the way the switch works means I’ve got lots of sound options. Learning where I want that switch to be to get close to the feel I want is taking some time.

I told you that Kevin gave me home work. He recommended some videos of Albert Collins and of The Fabulous Thunderbirds with Jimmy Vaughn. This has been some good stuff. I’m working on grasping some of what they do and how they approach their leads. And in the case of Jimmy Vaughn, how he works the rhythm and lead parts. That’s fascinating to watch and listen to. I’m learning stuff. It’s sinking in slowly.

A little story as an example. I was watching a Fabulous Thunderbirds concert performance on YouTube. I was watching Jimmy Vaughn play and I noticed him playing a chord form up higher on the neck than where I’m used to seeing it. When I realized what it was and how to use it, I realized I can use the seventh of that chord form in the same way. I decided, I need to practice this. It opens up so much more sound opportunities. As I was practicing changing between this chord shape and the seventh chord for the same shape I started thinking about how I’ve spent years reading the little chord diagrams in the music books never thinking about how that was the same shape as one of the really basic chords, it was just moved up on the neck and a small fingering change made. Now, I think about these things. How do I play that chord in a more interesting way or a way that is easier to finger or sounds a little better. That’s progress.

With two new Fenders in the house I decided it was time to represent. I made a little visit to the Fender online store and found me a couple of t-shirts that I liked. I picked up a mug too. I mean, I have a Gibson mug and I only have one Gibson guitar. I have more than one Fender guitar so I needed a mug.

I took a little time out from practicing to work on the music room. I have my first two guitars. I don’t play them. I keep them for sentimental reasons. I have been wanting to hang them up for decoration. I’ve been putting it off because I needed a stud finder so I could be sure I was mounting the holder to a stud so they don’t fall. I finally got the stud finder and decided to give hanging one a go. I managed to get both those guitars hung this weekend. I have two more I want to hang but I’ve only got one more of the same kind of holder so I’ll need to get another one to finish out that project. I’m slightly surprised and pleased with the look and the ambiance it brings to that small room.

The other thing I did as a break from practicing was watch a movie. It was more of a documentary really. It’s called ‘The Wrecking Crew’ and it’s about the group of session musicians who played on almost all the hit songs that came out of Los Angeles in the 1960’s and early 1970’s. It was a quite good. Really interesting. Great stories. Just as Tommy recommended it to me at the last jam, I recommend it to you. It was supposed to be streaming on Netflix according to the website, but I couldn’t find it there. It’s available for rent on YouTube and Amazon.

I’ve been neglecting my homework long enough. Time to get back to it. I’m excited to see what else I might figure out how to do. I haven’t forgotten about the video from the last jam. I still have that to get edited and posted as well.

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Turn It Up

That’s what I need to do. I need to turn it up.

I know someone out there has been waiting for me to say that. Waiting for me to figure that out. It’s a big step for me, to admit to that. I need to turn up. I was watching the video of the sets I played for this weekend’s jam and that was the one big take away for me. I need to turn up. Oh, not my vocals. My guitar.

In case you hadn’t heard, we had a blues jam this weekend. It was interesting because for as big a turn out as we had last week, outside, at Moochies, this week, outside, at Halligan’s, we had a much smaller group. A smaller group of musicians and a smaller
audience. Not to worry. That meant that some of us got to play more than we usually do. And that’s not a bad thing. It also took a little pressure off that maybe we don’t realize is there sometimes. With fewer people, there was less worry about getting it perfect. Instead it was more like, we’ll give it a go and do our best, and have fun. Which is the most important part.

I certainly had fun. I felt more relaxed. And I think when you watch the video you can see that. Not that I didn’t get bits of nerves a time or two. They only lasted for a moment though. And of course Bryan has a way of choosing songs from my ‘not quite ready for prime time’ list and I find myself singing and playing songs that I don’t have down as well as I’d like. I need to work on those songs more or I need to take them out of the book to stop tempting him. Though, to be fair. It does cause me to step out of my comfort zone a bit and make that stretch which is a good thing.

Now back to the main theme. Turning it up. I’ve been working on my lead stuff and I got to do some fun rhythm stuff this week. As I was playing, I felt like things went pretty good. I had some leads that fit pretty good and I made a point of taking them on most songs. On a couple, it just was too difficult for me to fit it in and pick back up the rhythm. Or in the case of ‘Ain’t No Sunshine’ I didn’t really play. I just sang. And while I don’t think I got all 19 ‘I know’s’ in there, that one turned out ok. I was worried.

With it feeling like the night went really well, and with as much fun as I had, I was really looking forward to seeing the video afterwards. I wasn’t disappointed overall. I had a fairly accurate read on the night. The only thing I was disappointed in was that I couldn’t always hear myself when it came to my solos. I did turn up for them. I really did. You can see it and you can hear it. I just started out not loud enough so when I turned up, it still wasn’t quite loud enough. You can still hear me. It just doesn’t have as much punch.

That means, in addition to all the other homework I still have from last week, what I’ll be paying attention to next is turning things up when I go to play a solo. It’s not just so everyone else can hear me. Though that is important. It’s that when I watch the video, it’s hard to evaluate how I did if I can’t hear myself. I know I’m getting better at leads. I know I still have a ways to go still. I just want to be able to hear what I’m doing right and what doesn’t work so that I know where try something else or work on a particular technique.

The fun thing about this jam was that, besides Bryan’s song choice, I got to do some new stuff that I hadn’t played before. They were songs that were a little more interesting to play or maybe a little more involved to play. That was a lot of fun. And I have a couple that I’m going to add to my list of songs to work on. Even just for playing. I don’t need to sing them. I’d just like to play them with a little more confidence.

Yes. There is video. I played three sets which means there is a fair bit of editing to do to get them posted. I’ll be working on that. As well as a new song or two, some lead practice, some hammer on practice, work on getting good tone, and a half a dozen other things. I’m going to be busy. Here are some pictures that I pulled from the video as we here playing and a couple of the other groups that played. Enjoy.

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