Dots, More Dots, And A Few Notes

I don’t have a lot of exciting updates this week. Not that work hasn’t been done and progress made. It’s just that sometimes that work and progress don’t look exciting. They look like repetition, tedious, and boring. But they are a big part of getting a project done. Like building a brick house. There are lots of interesting and noteworthy events but when it comes to laying the bricks, it only happens one brick and a time.

The tailpiece and bridge really stand apart now.

That said, I did make some progress on both stippling pieces this week. Though after spending too much time the weekend before, I tried to pace myself better and set some limits.

For the Gretsch I managed to finish the next layer of the grey for the tail piece. I also finished out the bridge earlier in the week. The way I mixed the color for the bridge allowed for an interesting molting as the ink went down and dried. I like that. It helps to add a sense of age to the guitar and the bridge. The tailpiece got a good layer of a not shiny grey, except the badge area, or stamp area, where it says Gretsch. I haven’t gone over that. I’m still deciding if I want to use the color mix I have now or just go with what will be the next, and hopefully, final color layer.

Next up, while I think how I want to handle the final of the tailpiece, is to add another layer of black to the body. I have a couple of areas that in my reference picture have highlights and I’ve left the black in these areas rather sparse so it would be easier to stipple over them. I’m now thinking about filling those in much more so at the very least the highlight area will be smaller and more in line with my reference, and to make sure I get the background color thoroughly blotted, or dotted, out.

Newest layer of grey complete.

The Rhinoceros is also progressing nicely. I decided to start working on the back legs to give it more balance as I work on it. It helps with the shading balance. There are areas that I have intentionally started lighter or less saturated and as I’ve worked on other areas I’ve gone back and filled in those lighter areas a little more. Especially, as I’ve worked on very dark areas. The darker areas, for me, help to set the tonal structure so that I can see where something is really too light and not as dramatic as it needs to be. There will, no doubt, be more of this darkening of areas as I continue to work on the Rhino.

And now for something completely different. Sometime in the last six months, a string on my Cordoba (classical style acoustic guitar) broke. Just broke. For those who don’t play stringed instruments, you may not be aware, but this happens. It is not the first time it has happened to me. There are likely a variety of reasons for it to happen. They don’t really matter much unless it is consistent and/or frequent, then you look into it. For me it was frustrating because the brace I was wearing and the pain and stiffness I was experiencing meant putting a new string on the guitar was not going to be happening.

The Rhinoceros is coming along

I’ve been using my wrist and hand more lately and have enough mobility, strength, and dexterity returning that I decided it was time to resolve the string issue. When I looked at my notes, I found that the Cordoba was due for a complete string change. So, all the strings got changed out. The guitar is once again fully stringed and playable. I realized, after I got all the strings on it, tuned it, played just a little bit, because I can’t play for too long, that I had felt bad seeing the guitar, sitting there for so many weeks, with the missing string, I had at least removed the broken one. Here was a guitar I love, and it was sitting there in a non-playable condition. Not that I had been able to play it all that time. Still, had I been able to play, I could not have just picked it up and played it. I felt I had failed somehow and that I had been neglectful.

The Rhinoceros a little darker and getting a bit more balanced.

I have had some opportunity to play the Cordoba. I do limit my time with it as well. I haven’t really been playing through much of the pandemic and my fretting fingers need to regain their strength, and dexterity. And there are some things that the wrist just doesn’t like to do. I’m ok with finger picking and classical style playing, strumming, not so much. Strumming can get a little painful.

There you have it. Progress on some art, and progress on some music. Oh, and another couple of books finished reading. I’ve got a full week of work for the day job this week and then I have the July 4th week off. I hope to do some clean out around my place in between more art, a little guitar, and for sure more reading. I’ll definitely have to pace myself.  

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The Old Project and a New One

I told you I decided to revisit the Gretsch stippling painting. It’s coming along quite nicely though I’ve learned a new thing or two. And I have started on the next stippling project. So, I have some updates for you.

As I got to working on the grey patch on the Gretsch piece, it’s the tailpiece with the Bigsby Tremolo technically, I had to remember a key bit of information when working with acrylic inks that I’m mixing with white. I need to add water. For some reason, and I suspect it has to do with the nature of the pigment used in the white acrylic ink, it seems to gum up easily. The pen nib gets gummy and has to be cleaned more frequently and it doesn’t flow as well. If I dilute it with some water, it works quite nicely.

How the Gretsch looked at the last post.

Working on the grey I found that once everything dried it was quite shiny and tacky. At first, I thought it might work out to my advantage since that area is metal and that would be a nice touch. But as I kept working on it, I found it more irritating and not very advantageous. I also had to figure out what it was that had caused it.

Normally I use the Daler Rowney FW Acrylic Artist Inks. When I was working on this project several years ago, and I suspect thinking of other projects I might tackle, I started picking up some other brands to try, some say acrylic ink on the bottle, some say fluid acrylics. When I went to mix the grey for the tailpiece, I decided to try using a white from one of the other brands, and it happens to be a fluid acrylic. But I also used a bit of green from a different brand along with my Daler Rowney black.

After a small amount of experimenting, because fortunately there were only the three variables, I found the culprit. The fluid acrylic was the issue. Since acrylic paints, and particularly fluid acrylic paints are basically liquid soft plastic, it makes sense. Anyway, it was really good to identify since the bridge, that needed to be a little more yellow-ish also needed to be dull and definitely not shiny. So, when I mixed my color for that area, I made sure to use the Daler Rowney white so that there is no real sheen to it.

How the Gretsch is looking today

Which brings me to progress. I’ve made quite a bit of progress. I have the strings done. Though, I may add some flourishing touches to them. I decided it would be easier to do the bridge if I had the strings there so I could butt the bridge color right up next to them instead of leaving some gap for them. Though, I could have just dropped them in over the top of whatever color as well.

I also dropped in a couple of layers of color for the bridge. That took a bit of work to get the color just right. I’m still not sure I have it 100% but I’m moving on and will look at it again as I get in next layers in some other areas. I finished the layer of black that I’d been working on. As I did this, I found that some of my drafting had been off on the tremolo area of the tailpiece, and I needed to adjust some things. And this is what I like about acrylics and oils, and even pastels as opposed to watercolors and markers. I was able to just ink over the areas that needed adjusting using the appropriate colors. So black over the grey to adjust the shape and dingy grey over black to adjust the location and it looks better now.

I’ll get back to that statement about what I do and don’t like about the different mediums at another time. But it did turn out that the situation on this piece was crucial to defining that for me. Sure, helps out as I decide on how to tackle certain projects.

The pencil sketch of the Rhinoceros

And that’s the Gretsch. I’ve made really great progress and will likely have even more done by the time I post this. I’ll do my best to capture more ‘work in progress’ pictures so you can see the progression. Most projects are fun to see the progression, I think stippling projects, especially of this nature are particularly fascinating.

Which brings me to the new project that I’ve started. It’s the Rhinoceros. I mentioned in the last post that I’d been waffling about whether to do it in marker or pen and ink stippling and that I had decided to do the pen and ink stippling. I got started on it. I’m using my right hand for this, and my wrist does still get tired, so I try to take breaks or work in small chunks of time. Which, by the way, is how I’ve been working on the Gretsch mostly, in small chunks of time, not marathon hours long sessions. Anyway, try as I do, the challenge I run into with the Rhino is that since I am using a pen, and not the acrylic ink like for the Gretsch, it is really easy to pick up the pen and fix something, or fill in something that doesn’t quite look right until I do. And so, it is addictive, obsessive, and difficult to walk away from. Which means, I did over do it at least once. Fortunately, it only resulted in a tired and slightly stiff wrist the next day. And I have learned my lesson, at least in principle. I am excited about this one. So far, I can’t wait to so see how it turns out. There are some drafting bits that I may not have quite right, and I’m concerned that it means the finished piece will look odd. But I’ve already inked them and, in this case, there’s no going back or making huge adjustments. So, I am continuing on and looking forward to seeing the result. I am going to have to so something about a ground and maybe some sort of background. I need the ground to make it look right. Without it, the head especially looks very awkward. There is still a lot of work to be done so it will be a while before this one is done.

And that’s where things are at the moment. Progress is being made and there is more to come. As I said before, I have several more projects in mind and at least three of those worked out enough in my head that just need me to have the time to work on them.

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Stippling and an Update

I have been thinking to write an update for more than a couple of weeks. Unfortunately, I keep finding plenty of other things that need doing. I have, finally, made some time to fill you in on the latest.

 When I last posted I was working on a piece of art that was a teddy bear. I was doing this using stippling and my left hand due to issues with my right wrist. I am pleased to say that I finished the teddy bear. I am including a picture of it in this post. I had intended to post the teddy bear not long after I finished it and as is the case too often, time got away from me.

Stippled Teddy Bear

After I finished the teddy bear, I wanted to work on another piece of art, but I didn’t really want to do it like I did the bear. The bear I did the whole thing just using stippling with no real guide or outline to work from. It was great to learn I could do that. But something about doing it that way again just didn’t excite me. I could try to do the outline with my left hand since my right hand was still bound up in a brace. That didn’t excite me either.

Then I wondered if I could do the stippling, with a dip pen and acrylic ink, instead of just the pens I used for the teddy bear. I have a couple of pieces I was working on years ago that I set aside. I could try working on one of them. As it turns out, I can do the dip pen (nib pen) with my left hand. I got a little carried away and before I knew it, ok, really a few days later, I found I had laid down a whole new layer of color over almost half the painting. The section I was working on is all black but still.

One of the things about this painting that had intimidated me so many years ago was knowing that I was going to have to mix the grey/metal color for part of it. It’s a large enough section that at the time my worry was about trying to match the color if I ran out of the mix. This really did stress me. This time, I was ready to tackle the grey. I had already attempted part of the grey in the name badge, and I was excited to see something besides black and pencil marks on the canvas board. So, when I realized I had a long weekend coming up I got excited and decided that I was going to tackle at least a first layer of the grey for everything that needed that color, that weekend.

Gretsch by Bigsby Work In Progress

Not only did I get the first layer of the grey done, before I realized it, I had the second layer done. And now I’m onto the other side of the painting that needs another layer of black. I have more to do on the metal part and one part that didn’t get started because the metal color needs a little more yellow tinge to it than what I was using.

I’m quite excited by the progress and right now very into working on this piece. Which is great because when I set it aside a few years ago, I didn’t expect to go back to it. I the other stippling project is like this one in subject matter. It’s larger. And a bit more colorful. I set it aside for some of the same reasons I did this piece. I am considering revisiting it as well. Though right now my plan is to actually finish this piece before returning to the other piece. Not that this one is that close to being finished. I’m just finding it satisfying to work on again and would like to finish it.

As I’ve been working on this piece, I’ve come up with a few other art ideas and a solution to a dilemma I was facing regarding a piece that I have sketched out. My sister took some great photos of some animals, including some new giraffe pictures after I posted the giraffe piece, I did in stippling last year. One of the photos is this great shot of a rhinoceros. It really caught my eye and I found myself, very shortly after printing out a good reference, making a pencil outline of my very first rhinoceros. I was and am so pleased with how the outline came out that I got stuck trying to decide how I want to finish it. I was torn between using marker, which I had just started using, and finishing it out in ink in stippling. I am very pleased to say I’ve made a decision on that. The rhino will be stippled. When my right hand is up to the task. And probably after I finish the Gretsch.

Even though I have shown myself that I can stipple with my left hand, I want my right hand for the finer shading that I want to do on the rhino. Thus, the reason for the delay. That and I want to finish the Gretsch.

I came up with another cool idea that I was able to create a rough sketch of, in digital, with my left hand. I am really excited about it too. It will also need the detail and steadiness of my right hand to execute it the way I want. I was thinking about it a day or two ago and remembered another, similar idea that I sketched out sometime last year, that I think I will also try to do in digital. I have plans for it.

Gretsch by Bigsby Work In Progress 2

And then there is the 3d idea that I’ve had for a while, I’ve come up with a little twist for it that I am looking forward to seeing how it works out. That one mostly requires I spend some time relearning some aspects of Blender as well as the new features. It’s a time thing. Right now, a large chunk of that time is being taken up with the Gretsch project, as well as catching up on my reading.

Oh yeah, remember, I said, with my hand stuck in a brace one of the things I could/can do is read. Well, I’ve got on quite a roll with that and have been devouring books. Physical books and ebooks. Fortunately. I have stacks of physical books that I’ve been collecting as well as a lot of ebooks. Several of them have had an impact on how I view some of our technology and technology companies. And as a result, you may see some slight changes to my blog sites and posts in the future. They should not impact your ability to access them or their readability and presentation.

Oh. I did manage, yes even with hand in brace, to pass my Taekwondo test for 3rd Dan, or 3rd degree black belt. Now to start training for the next test in four years. I’m excited about it. I am aware of what I have to know for the next test, and I have four years to prepare for it. I also know what I want to demonstrate for that test, and I have four years to work on that too.

And the wrist/hand. It’s complicated. I’m out of the brace, for the most part. I wear it to my Taekwondo classes so that I don’t forget and do something stupid and really hurt things. I still can’t quite put weight on it, and I’ve lost some flexibility in the wrist. That is slowly starting to come back. It’s going to take some time. The good news is that I can type with it for periods of time before things get sore and tired. I may even be able to use it for some art soon. That means that some of those ideas that I’m so excited about, I may get to work on them soon.

I hope you enjoy the teddy bear and the in-progress pictures of the Gretsch. I’ll have more pictures of the Gretsch as it progresses. And, of course, when I can get to working on those other ideas, I’ll have them to share as well.

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Snags/Challenges

As I mentioned in my last, non-gallery, post, I’ve been presented with some snags, or challenges recently that impact of my sketchbook projects. They have essentially shutdown everything I was working on. Yes, it is frustrating. It’s been interesting and I have had to do some adapting.

From the People Sketchbook

How did the snags/challenges come about? The first day of January, in an effort to relieve some hip pain that I thought was being caused from sitting too much, I decided to raise my desks to standing height. To do this I used my body as a floor jack, something I had done a year before. In the process I identified what I had done, a year before, that was giving my right wrist some problems. And I made it worse.

Treatment for the wrist has been partially successful; however, it has also revealed, or triggered an additional problem at the base of the thumb. The treatment for this additional injury is to shut down all thumb and wrist activity. Who knew how much just holding a pen or pencil could irritate things, and so badly? Yes, you guessed it, as I am dominantly right-handed that meant/means no writing or drawing. Or anything else with that hand.

To add insult to injury, the standing at my desk didn’t help the hip, it irritated it even more. Which meant the desks had to be lowered again. I was smarter this time and called a neighbor who was kind enough to hep me. And I’m getting physical therapy for the hip. I’m on the road to recovery for the hip for sure. The road to recovery for the wrist feels like someone set the speed limit at five feet and hour.

From the People Sketchbook

There is some good news. I have been able to carry on with many things including Taekwondo. I am fortunate to have a capable left hand and can do most things I need to with it, including, typing with one hand, writing, and feeding myself. Though none of these things do I do with the same level of speed, refinement, and dexterity of a lifetime of practice with my dominant hand. When eating, I feel like a child just learning to use their utensils. And while my writing is actually legible, it is slow. I’m glad I don’t have to take lecture notes.

Learning to do so much with my non-dominant hand has been quite an eye opener. I’ve learned quite a lot and run into many more things that I have had to learn to do differently. I could write a whole post about it. I won’t.

Before I realized I would have to stop drawing so that I would be able to rest my thumb I attempted to draw something with my left hand. I was surprised that it turned out as well as it did though it isn’t near as good as what I can do with my main hand. Yes, it could get better with practice. However, the frustration level and how hard I grip my pencil make it somewhat less than enjoyable.

From the People Sketchbook

Since drawing, an activity that was taking up a good amount of my evening time, wasn’t really an option, I needed to figure out what I could do instead. My options: I could read, I could watch programs that I have been meaning to watch, and I could work on online courses. I have got in a fair bit of reading and finished an online course for the day job. But I have not even begun to catch up on my viewing. This was fine for a while, but I felt bad, I wasn’t making art. I’d done so well in keeping up a consistent practice and I hated to lose the momentum I had built up with the art. I don’t want to stop, start again, and have to re-learn the last six months.

I thought about it and realized that I can mouse reasonably well with my left hand so, I can do 3d modeling on the computer. It’s not the type of practice I’ve been doing but it is art. And I’ve been meaning to get back into Blender since I did so little with it most of last year. This would be a good opportunity. Also, Blender 3 came out with a lot of new features, so, starting a tutorial or two that have been updated for the new version might just be the way to go. I’m working on it. I have nothing to show yet.

I still want to do regular art though. I thought maybe painting would be an option. Not. That turned out to be a big frustration. I’m a little awkward holding a brush in my right hand, it was worse in the left. Pass. Drawing lines and trying to shade with the pencil really gives me trouble. It’s so awkward and uncomfortable. I decided to try stippling. Dots. Maybe.

Left-handed attempt

For my main hand stippling projects, I usually sketch an outline in pencil and then fill in the rest with the stippling. That doesn’t work for me right now, the pencil outline. My approach so far is to use the finest point pen that I have and create an outline and/or rough blocking. I have finished one piece this way and I am working on a second piece. I got over enthusiastic when I figured out this might work, and I decided to do a furry teddy bear for the second piece. It is taking much long than my initial piece which was a snowman.

So, for now, I have a plan forward for the art, and the current circumstances, it just won’t be happening as quickly as it was. Until I can get some practice anyway. I want to try one of the ‘body in motion’ poses and some ‘people’ ones in the stippling. I would really like to see how they come out. If I can do it, it may be that my sketchbook projects change from a drawing a day to just filling the book with a particular subject. It would be great if I could get to where I could do one or two a week. Though as slow as this teddy bear is progressing it may be a while before that happens.

Left-handed Stippled Snowman

So, a snag or challenge depending on how you want to look at it, but not something that has to keep me from art or much of anything else, things just take a little longer or require a different approach. And as I re-read this before posting I realize that the optimistic and maybe matter-of-fact tone belies my frustration because I know things could be so much worse. But, I am frustrated. Some things are difficult, and many things are slow. And I don’t know how long things will take to heal. So, I do my best to not let that frustration get in my way. 

I am including a variety of pieces some from the delayed sketchbook project and some left-handed work.  As I get more things complete, or even good ‘work in progress’ shots, I’ll share.

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Gallery – Body In Motion Sketchbook

The Body In Motion sketchbook project was a good challenge. I really enjoyed it. One of the interesting, and sometimes limiting things about it was my reference material. There were two things about it worth noting. The quality of the photos due to original date of capture. While they are amazing for the time, some of the detail that is possible today, just wasn’t visible requiring some inference. The other item of note is that the models were nude or nearly so and being aware that I would be posting the images here, with a link on social media, I tried to stay away from angles that might show too much. Which means I skipped some things that would have been really great to draw. Maybe I’ll try a few of those in a sketchbook I don’t plan on posting. For now, here is the gallery of all the sketches, good, bad, and questionable.

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