More From San Antonio

Posted on March 29, 2018 by SusanG

By the end of Friday, I was really pleased with my decision to go to San Antonio. I had already met some great people. At that point, I really couldn’t have asked for more. But there was more to come and as it turned out, Saturday was going to be full.

The hotel I stayed in was right on the Riverwalk. I could go out the back and I was there. There were a lot of restaurants and eating places, and a few regular shops. There was a CVS, and a Hard Rock Cafe, and a Ben and Jerry’s Ice Cream. There were two places that had been there for over 70 years. I ate at one, called The Original. The food was good. It was Mexican. Watch out for the salsa, the heat just keeps building with that one. But the chips, for sure, weren’t Tostitoes.

The scenery along the Riverwalk was interesting, and sometimes pretty. You have to consider this is basically a canal. There is water with walkways on either side and the buildings going pretty much straight up from there. I really liked seeing the old buildings that were still there. Some looked like they were even being repaired. 

I could walk through the Riverwalk area pretty much from my hotel to the Alamo. I had to take a surface route for just the last part. For the two or three times I was out front of the Alamo, I must confess, I didn’t go in. The outside is much smaller than I think people expect. It doesn’t stand near as tall as it is depicted. Still, an important piece of history in a city with loads of history.

When I planned the trip, and then heard about the March for Our Lives I decided that if there was a march in San Antonio I would try to participate. For whatever else you may think there are things about the movement that I consider positive. And I can support that. So vacation or no, a few hours to go support a cause and support the people organizing it, was the right thing to do.

There were two marches in San Antonio on Saturday. First there was the Ceasar Chavez march and then around noon was the March for Our Lives. It was interesting to get there early and watch the crowd gather and to read the signs. Unfortunately, at a certain
point where I was, we really couldn’t hear the student speakers. And there were student speakers, as well as a few others. It’s quite a moving experience to stand with people that are doing what they can to make a difference. There was one scene in particular that I found as powerful as the students coming together. We started at City Hall, which is across the street from the Cathedral, and at one point I turned around to no less than what I thought was 5 members of the clergy standing together. As it turns out, I have a few pictures of at least 6. And I know for sure at least 2 of them marched along side us.

There were also the very young there, who as is being reported, now have active shooter drills in school. When I was their age, all I had to worry about were tornado drills in Oklahoma, earthquake drills in California, and fire drills everywhere. So for some those young people were why they were marching.

I met some really nice people while waiting to step off on the walk and they were kind enough to let me stay near by them. John took some of the more aerial pictures for me as he’s a little taller than I am. And Sherry kept the evangelical with the portable PA system at bay. Every time he got close, spouting his rhetoric, she started up one of the slogans for the march and we all echoed back to shut him down. I didn’t get a picture with them but they did take this picture of me at the end of the march.

From the march, my plan was to head back to Market Square and watch a gentleman, that I met at the Corynation line, dance Folklorico. I thought he was dancing around 2:00pm but as it turned out, he had danced earlier so I missed it. I did stay to watch the women from a local dance studio perform some Flamenco and Folklorico dances. There were a couple who were quite talented.

I had intended to watch the light show in front of the Cathedral that night as well but honestly, by the time I got back to the hotel after the Market, I kind of knew I was wearing out. Saturday was the day I discovered the only down side to the trip. It rains pollen. Really. I was standing at City Hall for the pre-march rally and saw these weird yellow spots on the people in front of me, and then some on my stuff. And then I saw it fall from the sky. Yep. It rains pollen. Little pollen bombs.

I had hoped to get to see some local music at one of the bars or pubs or whatever but was having a hard time finding it. Possibly because at that point I really hadn’t gotten too far from the Riverwalk area. I might have had more luck if I’d gone a little farther out. And no, the Hard Rock Cafe did not have live music that weekend. I did finally find some Saturday at Mad Dogs. The duo was called Box String Duo. They both sang and one guy was on guitar and the other on cajon. I stayed until they took a break and then kept wandering. But I was about to wear out. Stay tuned. There was even more on Sunday.

 

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Sometimes You Just Have To

Posted on March 27, 2018 by SusanG

Remember how I said I was traveling this week? For those of you that saw any of my social media posts this weekend then you already know where I went and some of what I did. For those of you that didn’t get a chance to see any of those posts or even just a portion of them, I’ll try to fill you in.

My ticket for Olivia Newton-John at the Majestic Theatre in San Antonio, TX on March 23, 2018

I went to San Antonio, Texas to see Olivia Newton-John in concert. It was one of the last dates of performances listed at her website as well as Ticket Master and Live Nation at the time I looked. I dithered for a bit deciding if I wanted to go to San Antonio, the next to last date, or Lake Charles, the last date listed. The Lake Charles performance was in a casino venue and San Antonio was in a theater called the Majestic Theatre. I had never been to either place so both would be an adventure. It came down to the fact that I knew there was a lot to see in San Antonio so it would be worth it to spend the weekend. All I knew about Lake Charles was that the concert was at a casino and I’m not much of a gambler or casino person. So. San Antonio.

Plaque outside of the Majestic Theatre in San Antonio, TX telling about it.

As I was looking up what to do and see in San Antonio, besides the Alamo, I found out that the Majestic Theatre is a historic theatre and considered one of the sites to see in San Antonio. That was a nice little bonus to this trip. I was liking this choice even more.

I don’t like hassling parking for concerts even at home so I tried to find a place to stay that would be close enough to the theatre that I could walk and not have to hassle a parking garage or any other parking. There are several hotels right around there, probably because the it’s only a block or two off the Riverwalk and walking distance to the Alamo. So I chose a place on the Riverwalk and a couple of blocks from the Majestic Theatre.

The marquee of the Majestic Theatre in San Antonio, TX announcing the show for Olivia Newton-John

I don’t like cutting things to close when I travel for events so I flew in Thursday for a Friday night concert. I used Thursday to check out the Riverwalk and find some good Mexican food. And I walked over to the theatre and got a shot of the marquee out front.
The day of the concert I had to wander past the theatre to see if the buses were there yet. They weren’t at first so I wandered over to the box office. There was this line so I walked up to find out what was going on.

They were waiting in line for Corynation tickets. When I walked by the box office the night before I saw something about Corynation but didn’t have a clue what it was. So I asked. It’s a play put on as part of Fiesta that covers the significant events in San Antonio during the previous year. I spent about an hour talking with these ladies about San Antonio and things in general until they were finally able to get their tickets. They were great fun and while I didn’t get their names, they did allow me to snap a picture of their smiling faces and charming personalities.

A really great group of ladies I met in front of the Majestic Theatre in San Antonio, TX. They were waiting in line for Corynation tickets. They were really fun to talk to.

As I was visiting with the ladies in front of the theatre the tour buses pulled up out back. I strolled by and tried to look in the back stage area without being obvious but saw nothing so on my way I went. I wandered around the block again later figuring they might be doing the sound check and I might be able to hear something but it was all closed up by then and if they were doing a sound check then that place was well insulated. I stopped and spoke with someone who works for the Majestic and he was telling me a little about the place. Like, that the constellation on the ceiling is the same as the one in the sky on opening night. Also, he said it seats about 2400 people. Its sister theatre on the same block seats about 800. But 2400 people? Really? Wow, this was going to be a nice intimate setting. It’s also beautiful inside and has great acoustics.

The view of the stage as I walked into the theatre at the Majestic Theatre in San Antonio, TX

When I came back later for the show that same person I spoke with earlier was there working valet. He recognized me and welcomed me back. It was a little before the doors were due to open and he said he heard them rehearsing in there and it sounded great.
Around this time some one else who works there happened by and after a couple of questions she asked about my seat so I showed her my ticket. She said I had an excellent seat because even though it was row E on that side there was no row A. I had a fourth row
seat. This didn’t register completely until I started walking to my seat and getting closer, and closer, and closer to the stage. Holy Cow! I really had a fourth row seat.

The view of the stage from my seat. No zoom used. This is how it looked to the naked eye. Majestic Theatre, San Antonio, TX March 23, 2018

She came over to check on me and then managed to do what was in her power to add a little to the evening. It was not in her power to get me an autograph or back stage, but she did add something extra to the experience. I saw her as I was leaving the theatre and thanked her. As I was looking back at the stage she tells me, ‘she’s not coming back out or I would have told you.’

I could give you a review of the concert and probably a complete set list even but this is already getting to be a long post so, I will try to keep it brief and still hit some of the things that stuck out for me.

We were asked before she came out not to take pictures at her request. And I will say, I think most people respected that. The few that didn’t were very quickly asked to put the phone away. As much as I would have liked to have snapped a shot, I didn’t out of respect. So, all my picture of the stage and theatre are from before the show. You can see pictures of her on the Majestic Theatre’s FaceBook page. There are some good shots.

As far as Olivia Newton-John’s performance? The woman can sing a guitar solo. No really. She sang along with the guitar solo in the song ‘Physical’. After 30 years or so of singing the song it’s not remarkable that she would know it. To me, it’s remarkable that she can, and does, sing it. There is a ‘grown up’ arrangement/version of the song ‘Physical’. I’ve heard it and I prefer it. It’s the version I was hoping she would play. And for a few bars it looked like that’s what they were going to do. Until she announced that she wasn’t ready to be grown up yet. So they switched to the regular version. I was a little disappointed, I admit, and then I realized she was singing the guitar solo. After doing jumping jacks. Yeah.

Her guitarist for the night was Andy Timmons which was cool because I’ve seen where he’s done a few things with her in the past. (Check the liner notes on her 2 CD for starters.) I’ll be looking him up soon as he’s apparently got quite a bit of his own thing going on as well.

I loved the choices of songs for the set list. She did the ones you would expect from Grease and Xanadu, as well as ‘Physical’ and a medley of some of her earlier songs. She did a song from the CD she released, and was supposed to tour for, just before her original bout with breast cancer. She sang a couple of the environmental songs she wrote. Really lovely songs. She did briefly discuss her most recent dealing with breast cancer. I think it was in introducing the song ‘Live On’. This is the point where I think we brought her close to tears. The support, and out pouring you could hear from the audience was incredible. It had a completely different sound and vibe than all the other cheering of the night. This was genuine affection at the word that she’s doing well. Afterwards, I met a man who came with his mother who is also a breast cancer survivor.

Another view inside the Majestic Theatre in San Antonio, TX. This would have been visible from the stage when the lights were up. It’s a small taste of some really incredible decor in the theatre.

Olivia Newton-John was fabulous. She was funny, engaging, she sounded great and seemed to be happy to be there. There were several times in between songs where they brought up the house lights so she could see everyone. The crowd knew the words to most of the songs and there were a few that she probably could have stopped singing and they would have finished them for her. It was something cool to get to hear. At the end she sang her thanks and gratitude by closing with the songs ‘Grace and Gratitude’ and ‘I Honestly Love You’. And then, she and Andy Timmons came out with acoustic guitar and encored with ‘The Long And Winding Road’. 

It was a gorgeous concert. Simple, no flash, fun, and just a great experience. And, were it possible I would do it again, a hundred times. 

And that was just Friday. Already I was glad I had chosen to go to San Antonio. It was turning out to be a really great trip. And I still had two more days in San Antonio. Give me a day or so and I’ll fill you in on the rest of the trip.

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Remembering How to Breathe

Posted on March 20, 2018 by SusanG

Usually when I sit down to write my post I have pretty good idea of what I want to share. It may take me a few iterations and several passes with spell check to get it right, but I at least have an idea of where to start. This week, my head is so full of things going on, things I need to do, events coming up and things I want to get to, that, sorting through it all is a bit like trying to look for something in boxes, behind heavy curtains in a dark room and the batteries in the flash light are dead. So, join me while I sort through a few of my mental boxes and see what I can share with you.

I’m going to start with a nice deep belly breath and a big exhale. Join me. It feels pretty good. Breathing is one of those things filling my head right now. I know, we just do it, why would you think about it? Well for a few reasons. Starting with singing. A friend was watching some of the videos I’ve posted of my Blues Jam sessions and as much as she enjoyed them, she shared with me that she found herself trying to breathe for me. I am very grateful to her for pointing this out. She’s right, I haven’t been breathing properly. It would help a lot if I did though. It would help with my vocals, and it would help with my nerves. Remember those shaking legs. They might still shake but they might try to keep in time with the beat a bit better.

There’s some irony in her pointing this out as well as some synchronicity.

The irony first. I was watching a YouTube of a talk show that had made a visit to a vocal studio and they specifically discussed breathing. Particularly as it related to how a singer could hold a note for so long and whether or not it had to do with lung capacity. It doesn’t, just in case you were wondering. One of the things it has to do with is how they breathe. From the belly. To go along with that, I had been watching a video performance of Olivia Newton-John and at one point, where the camera is, if you know what you are watching, you can see her do that belly breathing as she sings a couple of the phrases, one after the other. It’s kind of cool in a geeky sort of way.

The synchronicity? The next day, after my conversation with the friend about my breathing, I had a yoga class. The focus of that yoga class was breathing. Deep belly breathing and connecting with the breath. If you’ve taken a yoga class, then you are probably aware that breathing is very important in yoga. It is in Taekwondo too, though it’s not always explicitly taught, like it seems to be in yoga. Talk about the Universe trying to tell you something. So here I am, basically, remembering how to breathe. It may be
what gets me through everything I’ve set out for myself and whatever else comes along.

Remembering to breathe will get me through the airport this week. I’m traveling, to go see a concert. I’ll tell you all about it when I get back. Though, if you follow me on social media, watch for some updates. If you don’t follow me and want to, there are some links to the side here. I’m excited about the trip; however, it does cause some disruption to routine and adds a load of stuff to think about and remember. Like what to take. My concert ticket. What to pack to wear. Yeah that’s a whole other issue. What other things to pack. Getting to the airport. Getting a sitter for my pets. Making sure my home is not filthy so I won’t be
embarrassed for the sitter to come in. Taking out the trash before I go. You know the drill.

In all of this I have managed to work on some music and some painting. I worked on that second pass of the Flame Red for the Ovation Painting. I made quite a bit of progress and if I weren’t traveling this week, I’d be finishing it up and moving on to the next step. Which will probably be the blending layer of red. That’s where my thoughts are on this piece so I might as well get those cleared out so I can make space to think about how I want to handle the fret board and a few other areas that will require some color mixing. I took a picture of the progress for you.

Music is the easiest thing for me to work on, or remember to work on. If I walk into the music room and turn on the amplifier and don’t have an exit strategy, I can be there for hours, and like now my tea will be way to strong and dead cold. I poured a cup of tea and forgot about it while I was writing this for you. As a result, I did get quite a bit of practice time in for both guitar and vocal. And yes after my conversation about breathing, I had to go right in there and experiment and try it out.

I’ve been practicing guitar so much lately I have worn the strings on my Gibson out to where they are sounding a bit dull. It’s already time to change the strings that I just put on in December. Unfortunately, I don’t have another pack of the ones I put on there so I ordered some. Since the strings are not here yet I have been playing other guitars. I found two more that needed new strings. Those I had a spare set of strings for each so I have changed them. I have one more that, while the strings don’t sound bad, the ones that are on it were some I was trying out to see how I like them. They are ok. I don’t like them. So I want to change those to the strings I like. Which I have a spare set of. However, this is the classical guitar and restringing it is usually the more time consuming restring of the six-string guitars I have. Oh, but that Schecter. With the locking tuners. Wow. That was a quick and easy restring. Here’s a shot of my tools and one of my string surgery patients.

I suppose, on the surface, it doesn’t seem like I’m that busy. I just come home and play guitar and sing, or paint. It’s not like I’m in a band and have rehearsal several nights a week and performances other nights. And unlike my very talented friend in Austin who is an artist, I’m not preparing for an art show, or writing articles for artist magazines. But that’s just the surface. And all of it takes large amounts of time. But every once in a while, you get an unexpected opportunity that makes you stop a moment, admire and breathe. Here’s one I tried to capture one morning this week as I was getting ready for the day job. My camera doesn’t do it near the justice it deserved.

While you enjoy that, I’m going to take a deep breath and enjoy the song that’s playing on my computer before I plunge into my week. There’s so much going on. I hope to have really fun and cool stuff to share with you when I get back from my trip. No, you won’t have to sit through a slide show of my vacation photos. I’ll try to keep them to an important minimum. See you then.

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Pat Your Head And Rub Your Stomach

Posted on March 13, 2018 by SusanG

Aside from the drummers and bass players who can sing while playing their instrument; something I have always admired in them because often what they play and what they sing are completely different rhythms and these are the people responsible for keeping the rest of the band in step, when it comes to playing an instrument and singing, I’ve never given it a second thought. Of course people play guitar and sing or play piano and sing. It never seemed like a feat of particular note. It certainly didn’t seem to me to be the equivalent of trying to pat your head and rub your stomach at the same time. Until now.

Even for myself, it never seemed a big deal because I was just singing along with my own playing and it didn’t matter that much if my playing was a little off from my vocal. Most of the time I was singing and playing things that were matched up pretty good so I never really noticed if the vocal phrasing was different from the rhythm of the guitar. And if I did, I just chalked it up to it being a with a song with a wicked hard or odd rhythm part. It never occurred to me it might be the combination of the two, the rhythm and the vocal phrasing. Come to think of it, I don’t think I ever paid much attention to vocal phrasing. Again, until now.

Then again, I also never really thought about how I cheat at it, patting my head and rubbing my stomach. I can pat my head and rub my stomach at the same time, just like I can walk and chew gum at the same time. I cheat. I pat my head in the same circular
pattern and timing that I rub my stomach. If I’m walking and chewing gum they are in the same cadence. Not completely different timings or completely different activities. I manage to pull a bit of one into the other. A habit that is not especially helpful when it comes to learning songs where the vocal phrasing is so different from the rhythm of the rest of the song.

Ready to go Jam

My first encounter with dealing with vocal phrasing as something completely different from my playing was when I decided to tackle ‘Merry Christmas Baby’. Though I didn’t realize that was what was going on. That song took some work to learn to play and sing and since I haven’t been practicing it since I sang it in December, it may take some work again when I decide it’s seasonally appropriate. That was also the first time I really tried to sing with the band at a Blues Jam. There’s a whole story that goes with how it came about that I did. I’ll save that for another time. Let’s just say, fortunately I had been practicing singing it as I was learning the rhythm guitar bit. Not that there is much rhythm guitar bit. It’s a 12-bar blues with a quick change so a lot of room to work within. Still, the vocal doesn’t just settle into the groove, it really sits on top of it at it’s own pace.

The December song went so well I decided to try again. I finally picked out ‘Angel From Montgomery’. I didn’t think the vocal was quite that far off from the guitar, but it’s still a little tricky to get that guitar and that vocal matched up. I started on it nice and early so I had time to get it down pretty good. Then I tried singing it last month at the Blues Jam. Here’s the thing about the Blues Jam. You don’t always get to play with people who know the songs you want to do, and you don’t always get to play with people who you’ve played with before. Often times we just figure it all out there on the spot. With this song, I had been trying to get it slow enough when I was practicing and hadn’t really got that down well so as I was trying to give the drummer a demo tempo close to what I wanted, he just picked it up and we went with it. As a result, we ended up playing it about 10 to 15 percent too fast. I still managed to get the vocal in and it went well. Afterwards, I was discussing it with someone and he mentioned the speed and the fact that I had done well because the vocal phrasing on that isn’t exactly easy. Oh.

Jamming away.

I would like to note that, I think of myself as a guitar player first. I like to sing but I sing to accompany my playing more than I play to accompany my singing. So for the next round of learn something new for the next Jam, I chose to work on guitar parts. Until, I found that I might be able to sing ‘I’d Rather Go Blind’. Someone had suggested it as a good one for me so I listened to it. My first listen of it was Etta James and Dr. John. Right. My thought after that was something a long the lines of ‘there is no way I can do that one’. And then I heard someone else sing it in a little different vocal style that I thought I might be able to match better so I decided to give it a try.

It was two weeks before the next Jam. Of course. That seems to be about when I decide on something to try to sing. Not a lot of practice and perfecting time there. Still the version I was learning is only two chords. How hard could it be? Well, if I try to play those strums as triplets, like the fancy version I heard, and sing it, it’s extremely hard. So I worked on just a straight four beat bar with just a small transitional flourish. And it turns out, it’s still pretty hard to get it right. I knew I was getting a beat off at one point but I thought I had it worked out by the time I tried to sing it at the Blues Jam. Turns out, not completely. It was still a problem. Though, to be fair, when I sing and play it at home to practice, I don’t have to deal with my legs shaking in a completely different rhythm from my guitar playing and my singing.

Singing ‘I’d Rather Go Blind’ and playing my first lead. No pressure.

I have to admit that until recently I never really thought about how singing while playing an instrument, really playing it, is very much like trying to pat your head and rub your stomach. For some people it comes very naturally. For others not so much. Either way, the people that do it make it look so very easy and yet, when it comes to doing it well. It isn’t. There is a lot of work and practice that goes into learning to do that for any given song and every song has it’s own unique traits. So just learning to sing and play one song that has different phrasing doesn’t mean the next one with different phrasing will be any easier to learn. Though I’m hoping that, with practice, maybe it will be.

I’ve included some pictures from the Blues Jam this weekend where I sang ‘I’d Rather Go Blind’. And a few other songs. I’ve still got some work to do on them. Particularly ‘I’d Rather Go Blind’. But it’s promising and will stay in the rotation, which is good because I like it and like singing it. I do have video of many of the numbers I sang and or played on. Yes, I was asked to just sing on one song. A first for me and another short story for another time. I’ve had a request or suggestion to put some of the videos up on my YouTube site so I will work on that and let you know when it goes live. For now enjoy the pictures and pop over to FaceBook to see some of the video when I get it loaded to the Charlotte Blues Jam Meetup Group.

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Color Correcting

Posted on March 6, 2018 by SusanG

And some lessons learned, already, on the Ovation painting.

The need for the color correcting is a result of some lessons I have now learned. Starting with, don’t take months away from working on a painting if you are not going to make tedious and meticulous notes on the colors being used and plans for any other colors. Also, don’t change inks mid process.

I thought I remembered much better than I actually did remember, what color I was using for the crimson patches. When I got started working on the painting after taking so much time off from it, I didn’t remember if I was using just crimson or if I had mixed it with something. So I started in with straight crimson. That was bad enough, but I got lazy and was running out of the particular ink I was using so I started mixing it with a crimson of another brand. It was also thicker so it required a little thinning. This lead to the color shifting as I progressed. I could see it considerably once I got all the crimson patches in and the second pass of crimson done. Then, when I got the first pass of the flame red done it really started to glare at me.

I don’t think the issue is entirely in the brand of inks changing. I think some of it also has to do with support preparation. The canvas board I’m using was not a pre-gesso-ed board so I had to prepare it myself and I have a feeling I did not do a sufficient job of getting a good solid coat of gesso on the entire board. I think that has made a difference in how the board has taken the ink and it has also lead to the crimson looking darker in some areas.

Next up. It’s important to pay better attention to my reference photos. And in this case the original model. Since it’s one of my instruments I have the advantage of pulling it out and having a really good look at how it actually appears. And one of the things I found is that the flame red may be just a little too much on the orange side and the contrast between the two shades is a little discordant. This became even more apparent as I started the second pass of the flame red.

Since the finish on the Ovation looks like it’s two shades of red with the vein color looking like it is a bit of a tint over the whole thing I’ve got a little room to play with here. I did a little experimenting and found that it should work out if, after I finish the second pass of the flame red I go over the whole body with a blending shade. Before I do that though, I also need to go back and even out the crimson from where I first started the painting to when I finished the second pass of the crimson. Otherwise the blending layer won’t look right. So there’s a bit of redo going on in some areas.

One of the interesting and challenging things I’m dealing with is using pen and acrylic ink on canvas board. It has texture and the ink tends to fall down in the shallow dips of the texture and it makes it difficult to get really good coverage and maintain some distinction of the points of ink as they go down. Another thing that comes down to canvas preparation. To fix this for future paintings I’m experimenting with my canvas preparation. I want to see what the effect is if I can get the surface much smoother.
I’m hoping it will be easier to work with. I’m just not sure how I’m going to like the look.

So there you have it a full update on the status and the pain of the Ovation painting so far. With a couple of pictures from this week’s work.

Every painting, drawing, or even digital art piece, is a learning experience. Each time I sit down to put something on paper, or canvas or even in pixels, whether 3D or 2D, I learn something new about how to do something, or how not to do something, or even just cool new things to try the next time. Sometimes things go well and it’s an easy process and sometimes there are struggles trying to get it just right. And sometimes you get part way through and think that you’ve figured out so many things you could have done differently from the start that you wonder if it might be easier to just start over. But then what would happen to those happy accidents that you have already laid down on paper on canvas or pixels. It wouldn’t be the same piece of art. Those struggles and happy accidents and perseverance are what make a piece of art and give it life. Just like our own struggles and
happy accidents, and triumphs and failures, give us life and make each of us the work of art that we are.

 

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