Maybe it’s just me. I seem to have picked up some odd notions about things over the years. Particularly when it comes to music, and specifically even when it comes to playing guitar.

Metronomes!
I’ll start with the metronome. This wasn’t really a case of having an odd notion. This was more a case of pure lazy and bullheadedness. I would not practice with one. No matter what my father or instructor said, I just would not do it. Until, I decided I wanted to get better at playing.
I think Bryan suggested to play with the recordings and play with a metronome. He said it sort of off-handed. Sort of like he’s said it to a million people and none of them ever listen. So finally I gave it a go. And dang if I can’t tell where I get off beat and even start rushing things. It’s hard to play slow. And yes, I know I almost always end up with my vocal and guitar, mostly guitar, a beat off on ‘I’d Rather Go Blind’. I’m still working on it. And I play with a metronome every time I practice it.

Tuners! Even more important than metronomes.
So here’s one of my odd notions. Somewhere along the way I picked up the notion that you shouldn’t brace or rest your picking hand on another part of the guitar. That’s a challenge. It might be why I do a lot of strumming, and sometimes finger-style playing. They don’t lend themselves to wanting to rest your hand on the bridge. I hadn’t given this too much thought until I started trying to play this one picking pattern. It’s a down, down, up, up pattern and I can do it finger-style just fine. Except. It’s not right. It sound’s best with a pick and there’s an extra little twang on the last up stroke that’s like a little wrist flick. The first time I saw it played I was caught up in watching the picking pattern. But when I tried to play it, I could just get a few bars and then it would fall apart. So I got to see it again after having tried so hard to do it ‘the proper way’. And what I finally noticed was that the person playing was resting or bracing his hand at the bridge. So I tried it and it made a big difference. I’m not near having mastered the technique. But now I have hope.
And I have learned that sometimes you do have to rest the heel of your hand or brace with your little finger to make something happen. That’s not to say that you shouldn’t try not to rest or brace your hand. Absolutely, if I remember correctly, that’s considered “proper” technique and it’s supposed to allow for better picking mobility. However, sometimes, theory and proper technique, don’t jive with reality and practicality and you just do what gets the job done.

Capos
Which brings me to the capo. This poor little guy. I’ve treated him so bad. I’ve shunned him. I’ve thought bad of him. All because I was foolish. I was silly. I was ill-informed. I first encountered a capo as a kid. And I thought that the only reason you used a capo was because your hands weren’t strong enough to actually play bar chords. I know. I know.
I have small hands for my instrument of choice. It means there are somethings that are more than a stretch for my fingers. It means if I can reach it, I can’t always play it cleanly. I would have been well served to become a close friend of the capo years ago. What can I say? I tend to do things the hard way. However. Recently, in my search for tips and tricks for some different blues rhythms, I encountered someone demonstrating using a capo. This person had good size hands and hardly seemed like he would need one. But, he used it and it was fun and easy to watch what he was doing. Ok. I get it. Let me try that. Yep. Sure enough. There are reasons to use a capo. And they have nothing to do with your hand strength. Not only can they bring some things more in reach for me, they let me not have to over stretch so that I can get to other notes faster. Hey! That’s cool.
It does take a little practice to learn all these things, and to use them. I’m still getting used to using the capo. But it makes such a difference that you can bet I’ll be playing with it regularly pretty quick. I’ve got to learn how to handle scales and not to over shoot that fifth chord. So, practice, practice. As for the metronome. I will always need to use it more than I do. In fact. Like the capo. I should probably get another one. Just so I can leave one at a particular beat and have one to mess around with. The resting my hand thing comes a little more naturally when it’s needed. At least I’m not fighting it. And as I’ve worked on my alternate picking technique it’s come in pretty handy.
Yes. They are small things. But they are a few things that I have gotten tripped up by over the years. And, as I’ve really been trying to get better recently, I’ve come to see where my old notions, beliefs, prejudices, and what have you, have been holding me back. It’s not about not being good enough. It’s not about not being great. Or even how good or great you already are. It’s about can you be better? So I’m going to start there. Getting better.

More small tools and gear. Mostly picks.
There are a couple more weeks before the next Blues Jam. I’ve posted the first set I played in at the most recent jam. I’ll get the second set up sometime this week. I don’t think it’s my best work. But the rest of the band was pretty tight and it’s worth seeing.

spent pretty much with my fingers wrapped around the neck of one guitar or another when I wasn’t working or kicking. I found two new songs and was able to learn one well enough that it was our kick off song on Sunday. Yep. I’m quite proud of the choice. It was a lot of fun and so far may be my favorite one we’ve done. We did ‘Never Make Your Move Too Soon.’ It’s a great song and I’ve listened to it for years. Though, not by who you’d expect. For the version I worked on I referenced a B.B. King recording. And then we did an all B.B. King set to kick off the Blues Jam. It was fun.
I think that’s something that people who don’t play music out live probably don’t think about. The effort that goes into putting on a good performance. Sure, you hear about ‘band practice’. But what about just learning your part. I often get to play with Nick, who is also a co-worker, and we discuss songs we want to learn or work on. And then, we go off and learn our parts. If we get a chance, we get to practice together before a jam. Often, we don’t. So, we have to have learned our bit well enough that we can fit in with each other if we get to play together. We also have to practice our skills in general so that we can fit in with whomever we get to play with. That way, when someone calls for a song in a particular key and rhythm then we can get in there and do our bit as part of the group.
In addition to that, there’s choosing the material. It’s not always as easy as you might think. Especially if you sing. Sure, everyone wants to hear this song or that song. And everyone would like to be able to sing and play those songs. But it doesn’t always work out that you can. An example, I can sing and play rhythm for ‘Further On Up the Road’. I can sing it and it’s ok. Nick, really likes the song, and worked on it, and he does a really great job on the vocals and lead guitar. I learned ‘Before You Accuse Me’. I learned to sing it and play the rhythm. And I have not sung it. Because, I realized that for whatever reason, I just can’t get that one down right now.



and doing anyway. It doesn’t mean you don’t still have anxiety or doubts along the way. I can say I sure do.

There’s plenty to do. I’ve got guitars that need re-stringing, paintings to finish, songs to learn. And that’s just for starters. It’s time to get going on some computer art projects that I need to do or just want to do. And then there is the normal stuff that keeps cropping up like chores and maintenance things. It’s funny, because it’s a little bit of a stunner to realize it’s already April. You’d think I’d be feeling like I was so far behind and rushing to catch up but somehow that’s not the case. I think I’ve been running along holding onto the side of the car since the year began so there’s no catching up. It’s all just holding on and running with it. Someone wrote me a note at Christmas asking if I was ready for 2018. I happened across it today and thought, oh my gosh, it’s already April and I’m still not ready for 2018.
Particularly the Gibson that I usually play at the jams. The strings I ordered for it came in right before I left and there was no time to change them so that had to wait. I’ve since got them changed out and I’ll be playing them in this week so they are ready for Sunday.
There are a few ways you can do this. I chose the solo method. I got in the rental car and headed that way. I had a basic map from the hotel, and signs pointing me to the Mission Trail. You can look up the particulars as to how many Missions there are and what they are called. I tried to see two and was only successful in seeing one. Remember the pollen bombs? They were starting to get to me so my touristing enthusiasm was low. The parking was horrible at Mission Concepcion so I didn’t see that one. I did go to Mission San Jose and see it. There was a Palm Sunday service letting out as I got close to the chapel.
had something I should see. Several had the same recommendations and those were the ones I tried to get to. As I said, I missed out on the light show and a few of the Missions. I also missed out on taking a boat ride on the Riverwalk and the ‘hop on, hop off’ bus tour. But I did get over to the Pearl Brewery area. The Culinary Institute of America at San Antonio is there and there was a stand sponsored by the school. I didn’t eat there so I can’t vouch for how good it was, but it looked unique. I did have an ice cream at Lick. They have some really interesting flavors that I would not have made into ice cream, as well as a vanilla and a chocolate. I had the horchata ice cream. Very tasty.
Jorge y Nicole. They play what they call Acoustic World Music. Jorge plays guitar and Nicole plays acoustic bass guitar. I was struck by the sound of their instruments as well as the beauty. Wow. They were nice enough to take some time to chat with me about their instruments and a bit about what they are doing musically. Including a little about recording their CD. It’s also available for digital download. They shared that it was tricky finding someone to record the acoustic instruments well but they did finally find a studio in Arkansas. They play some really beautiful music. Well worth checking out. Oh, and, I asked, the guitar is a Cordoba and the bass are Fenders.