First thing’s first. A correction. In last week’s post I improperly identified one of the Kennedy Center Honors recipients as Walter Shorter when it should have been Wayne Shorter. My apologies. No disrespect intended, just a bit of lazy memory on my part.
We’re into the new year and a bit past the major holidays so now it’s time to start getting down to business. How’s that going for you? I was a little hit or miss this past weekend, not really getting going until late Saturday and then getting on track and moving again.
I mentioned that I have the good fortune to have a Masterclass all access pass for the year and that I’ve been partaking of the Carlos Santana course so far. It has been really interesting. I still have not downloaded the workbooks for everything I’ve watched so far. I decided to watch all the videos first and then I will go back and get the workbooks and practice the music and look into some of who he suggests listening to. I like that it’s more like a conversation on playing guitar. It gives me things to think about that then I can start to experiment with.

You know playing music and making art, they both involve learning tools and techniques and executing them well. But those are just the letters and the words for the conversation you are having with your listener or viewer. You have to learn them. And you have to learn when to use them. Something I saw recently pointed out that ‘vibrato sounds great unless you put it on every note’. It can be the same with an art technique. J.J. Abrams and his lens flare on everything is a good example of this.
So you practice, and you experiment, and you start to learn what vocabulary to use for the conversation you want to have with your viewer or listener. I didn’t start out with just experimenting. I started out learning to read music. I knew that not everyone could read music, that some played by ear. And I always wished I could do that and yet could never figure out how to get there. I had a discussion with my father, many years ago, who was also a musician, and started out playing by learning to read music. Much of our extended family were and are also musicians, most of whom, as I understand it, do not read music, they only learned by ear or by rote and they can play nearly anything. So in the conversation with my father, he mused that perhaps, learning to play music by learning to read music first, got in the way of learning to play by ear.
After listening to some of what Carlos Santana has to say on the subject of reading music and playing music I suspect my father was right. But probably not in quite the way he seemed to mean it. When you only play from notation or sheet music, you learn to play the notes and the timing and all of that. You don’t always learn to feel the music. To hear the conversation that’s happening. And when you are learning a piece from a piece of notated music, your practice is focused on very specific things, learning the notes, intonation, tempo, cadence, transition, and more technical things. You don’t spend much time wondering if you play that note a different way what will you get? Will it feel different? How will it effect the music?
That’s where I started. Learning the notes and the technical stuff. Not that I absorbed that much of it, trust me. Even so, it’s an easy place to stay even while trying to learn to play blues, or rock or country. They publish music for these genres just like they publish classical pieces or movie scores. There are books full of the notation on how to play certain phrases and riffs. I know, I own a few too many. And they will teach you the mechanics. But what is finally sinking in is that if you don’t mess around and play with tempo or pitch or tone or the phrasing you don’t really learn how to use it or how to play it effectively. You only get that by playing with it and learning to make it do what you want. Make it say what you want.
I spent last year getting into the groove of playing music again, trying to get better, and learning how to sing, and learning how to lead a pick up band. All the while knowing, it was time for me to learn how to play lead. I got started on it and made some pretty good strides. I have much further to go. And much further to go playing rhythm as well. And yet, I feel like I’m starting to ‘get it’. I’m starting to spend time noodling around or playing with ideas that thanks to something from the Masterclass, I’ve been thinking about for two days. I take those ideas and see what it’s like to try to incorporate them into my playing. Not just into the lead work but also the rhythm work. That has helped me to better understand things Kevin was telling me three or four months ago. That, yes, I have been pondering that long.
My big win so far came when I was messing around a few days ago. I was working on the idea of how to take the melody that was being sung and translate, it, and the sentiment, into notes on the guitar. As I was doing that I was bending notes and strings and realized that I finally could not only bend a note up to the correct next note, I could also hear the difference. And hear when I got to the right note. From that, you probably guessed I don’t do a lot of bending. So, yes, this was a big moment for me.

I still like to go back to the sheet music for some things, and because it is comfortable. There are great reasons for it and I don’t think being able to read music at least to some extent will hurt anyone. And for some, it is the only way they will be able to play music. But I think I now understand why sometimes it feels so stiff. Reading the notes played in a solo aren’t always going to tell you how to truly play that. You have to hear it, you have to feel it. You have to understand, are you squeezing those notes out, or are you gently coaxing them out.
I think this is what I will be working on this year. Oh I still have the other things to work on. Getting better at rhythm and at singing. Learning new songs and different styles. And learning to play lead without hesitation. And as I’m working on all of that I now understand I need to also work on adding the feeling, really communicating the story whether that is in how I tackle a vocal or a rhythm guitar part or a lead guitar part. I need to bring that into the mix. I think I will enjoy the experiences better and hopefully so will anyone listening and watching.
Speaking of experiences playing music. It’s finally on. We are finally getting the jam back together. (Sorry, couldn’t resist). We’ve got our first Blues Jam of 2019 this coming weekend. I’m still trying to work the kinks out of the fingers from so much time on the computer and I haven’t added anything new to my repertoire so who knows how it’s going to go. It’s ok. I’m still excited about it. I’m looking forward to getting to play and see what happens.
Oh, and I hope you like my little Blues Man Snowman. He’s itching to get back to jamming too.