I’ve got a couple of things for this week. Which I guess is good since I didn’t have anything for last week. I wanted to have something for last week and just didn’t. The only thing I really had to share was finishing the Gretsch painting. Which is one of the things I have for this week. So, I guess I’ll start there.
I finished the Gretsch painting last week. It was a different experience for me in that any previous guitar related paintings have either been stippling with acrylic ink. Still in color, just stippled, and with basically liquid acrylic. And I’ve done one in oil. Yes. Oil paints. I like it. It’s an odd size/shape so it may be interesting framing it or mounting it. I think I’m supposed to varnish it at some point. I’m not sure.
But back to the Gretsch Headstock painting. This one is in watercolor. That was what made it different for me. I wasn’t sure how it was going to work out or really, how I was going to approach it until I got started. I have to say, I am surprised and pleased with the result. The background turned out to be the hardest part because I couldn’t figure out what to do with it for the longest time. I finally settled on the blue. And I filled it out with some variances to make it interesting. Then I worried I’d got it too dark.
This is where, when I realized the wonder and benefit of working in watercolor. Because it is watercolor where I thought it was too dark, I was able to take a clean waterfilled brush and lift out some of the paint and lighten it. I didn’t have to mix colors and worry about how I would get it right or worry about changing the luminescence of the color. I just lifted out the excess pigment. And of course, I got a little heavy handed there too so I worried I got it too light. At which point I realized it wasn’t that it was too light or too dark it was that it needed to not be just blue. So, I added some green. Now I’m happy with it. And I have new respect for working in watercolors.
The next painting, if that’s what we call it, is a stippling of a Koala. I took the picture while I was visiting a conservation area in Australia a few years ago. Because of their fur and its coloring, they are sort of ideal for stippling. Though the long ear hair or fluffiness around the ears is a bit of a challenge. And an interesting one. It should be fun to see this one finish coming together. I worked on it quite a bit over the last few days and while I’d like to get it finished or close to finished this week I don’t see that happening.
I’ve had a couple of interesting experiences around working on the Koala. Both having to do with this being a stippling piece. The first was interesting because I was watching/listening to a concert while I was working on the Koala. I looked up at the screen and the singer on the screen and the lighting and the angle, it was the first time I really considered and thought I could actually do a human portrait in stippling. It’s something I’ve considered before though not with much conviction. Now, it’s something I may explore. Because, why not. Just probably not in the immediate future. I’ve got several other things lined up to work on. Besides the idea needs some time to simmer.
While I was thinking about working on the Koala, I realized that stippling art projects are very much the epidemy of one of my philosophies(?), if you want to call it that. The phrase, and explanation I often share is ‘Baby steps. Baby steps all in the same direction will still get you there.’ With painting, and even drawing, you can lay down big swaths of color or lines and cover a lot of canvas, or paper, pretty quickly and start to get form and color also fairly quickly. With stippling your best and fastest indication of what a piece is going to look like, at least as I do it, is the sketch outline and rough in that I work on top of before erasing it in the end. It takes a lot of dots to start to see if the piece is going to come together as envisioned or hoped. A stippling project requires patience and persistence. And trust in the process. Normally, I work on art a couple of days during the week and then quite a bit more on the weekend. With the day job, I have to keep in mind that working late into the night is not a good idea during the week. So I do a lot more at the weekends. This weekend, however, I’m traveling so I won’t be working on any art. Well, not directly. Which means it will take a little longer to get the Koala finished and up on the store. I’m hoping that I can get some photos for future projects while I’m traveling. And maybe I’ll have something to share as a blog post or two. If not, it’s all good. My trip is primarily to hang out with a friend and see a few sites anything else is bonus. That’s all I’ve got for now. More soon. Cheers.